UK Jewish Film Festival 2016 review: The Small World of Sammy Lee

Director: Ken Hughes

X | 1h 47min | Drama | April 1963 (UK)

Playing during the UK Jewish Film Festival 2016  at JW3 on 15 NOV 6.30pm.

See here for bluray details - out from 14 November.

RATING: ★★★★☆

Playing as part of the UK Jewish FIlm Festival 2016, and now remastered for a new bluray release courtesy of StudioCanal and their Vintage Classics Line, Ken Hughes’s (Alfie) The Small World of Sammy Lee is a dark, funny and stylish romp through a seedy Soho from decades past; a side of London that has long since been smothered by gentrification and tourism. In this 1963 British-Jewish crime thriller, Anthony Newley is pitch-perfect as strip-club compere Sammy, the kind of guy who keeps his shady dealings small-time, but has nevertheless used up almost all of his nine lives by the time the film’s main plot kicks off. Having screwed up one card game too many, Sammy has to go on the run from the heavies, managing to convince the surprisingly affable enforcer who is sicked onto him (this is one of those films packed full of gentlemen thieves) that he can muster up £300 by the end of the day.

The narrative is built around the remaining half a day Sammy has to scare up the dough; racing against the clock to chase up every debt he is owed, lining up several black market deals that pay cash up front but only require a (inevitably late) check from him, whilst rifling through the piles of ‘back of the lorry’ merch he has stashed in his flat to see what he can offload. There’s plenty of appeal in watching this cheeky chancer scrabble from cafes to pool halls, trying to see if his gift of the gab can get him out of one last scrape, and the film works well as a time capsule of a period when Soho really did have edge. Lensed in brooding black and white by cinematographer Wolfgang Suschitzky, the film also boasts an exceptional supporting cast that packs in Miriam Karlin, Wilfrid Brambell, Roy Kinnear and Warren Mitchell. Plus, the jazz score will nestle in your ear for hours after.


Owen Van Spall

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